
Roxie Maisel is a New York City based filmmaker and writer/ performer who specializes in comedy. She is finishing an MFA in Film Post-Production at the Feirstein Graduate School of Cinema.
Roxie’s work experience and skills:
- Film Editor
- Writer/Performer
- Director
- Screenwriter
- Production Sound Mixer
- Composer
- Sound Designer
- Singer/Songwriter
- Music Producer
- Theatrical Producer
Roxie has written, directed, edited, and acted in two original short films:


Roxie’s editing credits also include:
- Editor: “Pillowman” (2024, dir. Dawn Kalani Cowle), a comedy short adaptation of the stage play by Martin McDonaugh.
- Editor & Music Composer: “The Cohort” (2024), a single-camera mockumentary about a cutthroat group of creative writing students.
- Assistant Editor: “Sunny Side of the Street” (2024), a coming-of-age dramatic short by Alexandra Alston.
Roxie is also a self-produced recording artist and a seasoned musical theatre writer, composer, and performer:




“Sex Plumber” and “The World’s First Fat Rockette,” both original comic burlesque cabaret acts.
Roxie’s past musical theatre and opera roles:
- Off-Broadway: “Into the Woods” (Rapunzel); “The Belligerent Boozer” (Candy Finnegan).
- Regional: “Anything Goes” (Reno Sweeney); “The Wiz” (Evillene); “The King & I” (Anna); “City of Angels” (Alaura Kingsley/Carla Haywood); “Oliver” (Widow Corney); “Fiddler on the Roof” (the Fiddler).
- Opera: “Un ballo in maschera” (Ulrica); “Otello” (Emilia); “Il tabarro” (La Frugola); La belle Helene (Loena).
Roxie is also a comedian, specializing in:
- Stand-up Comedy
- Original Characters
- Long-Form Cabaret
- Live-Singing Burlesque
- Improv
- Sketch Comedy
Roxie has performed comedy in:
- New York City: The Duplex, Peoples Improv Theater, Soho Playhouse, Magnet Theater, DROM, The Black Cat, and The Tank.
- Houston: The Secret Room and Avant Garden.
- Paris: Café Oscar.
Actor SlateShot